Iza Szostak refers to a concept of a secret diary and uses choreographic practices to juxtapose body with the world of her own subconsciousness and imagination. She tells about those moments which are seemingly irrelevant as well as the ones which leave indelible trace. She makes use of 3D animation, the alternative form of recording herself. Szostak submerges in the world of her video archives in order to reconnect with false authorities and tender patrons and phantasms of her own creativity.
